Cited: NewsDaily
Russia's President Dmitry Medvedev (R), First Deputy Chief of Staff Vladislav Surkov (L) and Kremlin Chief of Staff Sergei Naryshkin prepare the state of the nation address

A short novel- titled “Close to Zero”- appeared on bookshelves last month. Thursday, someone realized that the tale of corrupt Russian officials, bribed journalists, and dirty cops was penned by someone with definitive expertise on the subjects. Apparently, the author was none other than the Kremlin’s chief political strategist Vladislav Surkov, who published under a nom-de-plume.

Surkov, a shadowy figure who rarely speaks in public, wields immense influence. His role as deputy head of the Kremlin administration for the past 10 years under both Vladimir Putin and Dmitry Medvedev puts him at the center of political power.

In the novel, which advertised itself as “gangsta fiction,” the main character Yegor Samokhodov orders a poet to write verse in the name of the regional governor to make the official look clever and win an award.

Samokhodov, a publisher who does a sideline in political public relations, then tries to bribe a female journalist at an opposition newspaper to “correct” stories about damage to children’s health from a toxic chemical factory owned by the governor’s relative.

Fact or fiction ?

The events portrayed are everyday fare in Russia, where local media sometimes take money in return for favorable coverage and those in power believe they can bribe or bully their way to victory in almost any situation.

A source at the Russky Pioner magazine which published the novella confirmed to Reuters that the story was Surkov’s work.

“Yes, it was him,” the source said on condition of anonymity because of the sensitivity of the issue.

The Kremlin denied that Surkov had authored the novel. “He definitely didn’t write it,” said a spokesman.

But media reports pointed out that the pseudonym used — Natan Dubovitsky — is almost identical to the name of Surkov’s second wife, Natalya Dubovitskaya.

The author of Russia’s doctrine of “sovereign democracy” which touts a strong, organized state at the center of the political machine guarding against chaos and foreign meddling, Surkov often rails against Western “lies” in portraying Russia.

“Our partners … tell us about democracy while thinking about our hydrocarbons,” he told foreign journalists in his last news conference with them in 2006.

Andrey Kolesnikov, the editor-in-chief of Russky Pioner and also Russia’s best-known political correspondent, told Reuters he had decided to publish the work because of its artistic quality, despite not knowing who wrote it.

“I received the text by email with a request from the author that he was interested in my opinion,” Kolesnikov said.

“I really liked the novel. I am convinced it is a work of quality … for the author, it was an act of self-discovery.”

Kolesnikov said the author had told him he had previously contributed to the magazine. Surkov has authored an column in Russky Pioner.

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In one revealing part of the story, the opposition journalist Nikita Mariyevna tells Samokhodov she hates those in power — a “greasy crowd” of governors, deputies, ministers, security service officials and police.

But the book’s hero replies: “It’s not those in power that you hate, but life.” He goes on to explain that unfairness, the use of force and stagnation are just part of life and urges her to live with this rather than try to destroy it.

Analysts speculated that Surkov might have written the book as a signal to the main pro-Kremlin party United Russia that times could be changing and they might face greater political competition in future.

Before signing on with the Kremlin, Surkov worked in the private sector as a public relations and advertising consultant. Here’s where he would begin to rub elbows with Russia’s elite, like oligarch Mikhail Fridman, who owned Surkov’s client, the Alfa Group, as well as the now-disgraced oil tycoon, Mikhail Khodorkovsky.

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My Take

Moral dilemma: is it alright for a someone to write a fictional account of an affair? Why not, right? Most writers at least “borrow” from their everyday experience.

Is it still alright for a government official to reveal the dark side of the political beast through a novel, instead of a press conference? Where is the line?

Some might disagree with me, but I say: even Deep Throat had a ghost writer. Leaks to the press keep the press informed, but to come out with the information sideways, like it appears this Kremlin boss did, is far more cowardly and not nearly as helpful as the alternative- what we in the biz call “non-fiction”.

What ever happened to parking lots and backlighting?

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